ANTHONY
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ANTHONY
SIDERIDES

Cinematographer

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Approach

Story first

Every decision starts with intent. I build the frame around the rhythm of the story.

Light lens movement

From lens selection to filtration, diffusion, and camera movement, every choice shapes mood and perspective.

Rhythm in post

Cutting is driven by image and sound. Edits feel earned, never forced.

Anthony Siderides

I create cinematic images through precise lighting, lensing, and camera movement that amplify story and emotion.

Based in London, I collaborate on commercials, branded content, and product films. I bring clarity to sets with clean blocking, efficient setups, and a calm focus that keeps crews aligned.

My work spans collaborations and spec projects with brands including Moose Knuckles, Armaf, Club de Nuit, and Diesel, along with a Oakley spec ad.

Key expertise includes:

  • Direction of photography for commercials and branded content
  • Lighting design, camera movement, and blocking for coverage
  • Lens and filtration choices that define tone and atmosphere
  • On-set leadership and efficient setups for agile crews

Work

What I do

Cinematography

I lead direction of photography for commercials, branded content, and product films with a clear plan for coverage.

Lighting and lensing

I design lighting, lens choices, and filtration setups that craft the mood and visual language of a project.I favour stylised, unmotivated lighting because it drives the narrative with greater intensity and reminds us that cinema is not bound by realism. At the same time, I can adapt to more naturalistic approaches when the story demands it.

Camera and movement

From handheld intimacy to controlled motion, I choose movement that supports the emotional beat of each scene.

Let's Work

Share your brief and I will reply with availability and a clear outline.